tekhnē

In an electrifying fusion of creativity and sonic experimentation, the Latvian Academy of Art became the epicenter of unconventional music exploration during Maria Chavez's turntablism workshop on September 5th. As a pivotal part of the Latvian festival for adventurous music, Skanu Mezs, Chavez's workshop delivered a unique experience that transcended the traditional norms of DJing and turntablism.

Maria Chavez, a trailblazing abstract turntablist and conceptual sound artist, brought her dynamic approach to Riga following a prolific residency at the end of September and beginning of October. Best known for her raw and improvised solo turntable performances, Chavez combines recorded sounds from vinyl records with the electro-acoustic sounds of vinyl and needle in various deteriorating phases. Her unorthodox methods embrace improvisation and the inherent instability of turntable conditions, allowing accidents to shape each distinctive sound piece.

The workshop, held at the Latvian Academy of Art, marked the festival's inaugural collaboration with the university. Drawing participants from both student and professional circles, the event was a melting pot of diverse musical backgrounds. Chavez's engaging session not only provided insights into the physical workings of the turntable but also encouraged participants to venture into the realm of sound experiments. From breaking vinyls to scratching records, the workshop was a playful exploration of the turntable's creative potential.

Described as fun, exciting, and inspiring, the workshop was a testament to Chavez's commitment to pushing boundaries and challenging conventional ideas in sound art. As a special token of appreciation, Maria gifted each participant a copy of her book, "Of Technique: Chance Procedures on Turntable," offering an intimate look into her unique creative process.

Maria Chavez's impact on Riga extended beyond the workshop. Her DJ sets, engaging talk on the Latvian student radio station Naba, and collaborative performance with multi-instrumentalist Jordie Wheeler showcased the depth and versatility of her artistic expression. The installation she left throughout the Skanu Mezs festival in the lobby of Hanzas perons, a revamped venue in the old Riga Goods Station, stood as a visual representation of her innovative sound art.

Chavez's fearless exploration of turntable technology has garnered recognition beyond the workshop space. Selected for the tekhne sound art project, her work challenges preconceived notions about what is considered 'right' in DJing, elevating failure to a new level of creativity. Interestingly, Chavez's bold approach led to her dismissal from a Texas club for repeatedly playing the 'run-out area' of a record. It was her accidental encounter with the composer Pauline Oliveros that encouraged her to keep breaking music-making rules and develop the career she has.

In conclusion, Maria Chavez's turntablism workshop at Skanu Mezs Festival not only broke the rules of conventional DJing but created an immersive experience that celebrated the spirit of adventurous music. With an inspiring blend of education and experimentation, Chavez left an indelible mark on participants, further solidifying her reputation as a trailblazer in the world of abstract turntablism and sound art.